All Ears to the Ground identity, land loss and labour extraction in his poem ‘Identity Card’.105 In a similar vein, Rohingya poet, Mayyu Ali, focused on the violence of registration and citizenship denial in his poem, ‘That’s me, A Rohingya’.106 Both poems were part of broader arts movements that explicitly sought to recast and reground group belonging against the prevailing discourses of erasure. Another subset of this mode of resistance is historical research produced by members of the targeted communities to counter state erasures, sometimes taking the form of biographical accounts of events or archival research.107 Such arts and knowledge production has also been supported by international actors as a form of solidarity.108 Forms of resistance that seek to change discourses at the national and international level can hold a very deep symbolic significance and, through different arts and social science mediums, can forge new and important forms of connection and solidarity. The impact of such initiatives is difficult to capture within the ever-shifting dynamics of international politics and knowledge production. Constraints at the structural level for people affected by statelessness are also fluid. Such constraints include: the power of states to (partially) control information exchange through media, publishing, academia, and social media; state use of surveillance technology to monitor and silence activists, journalists, artists and academics; and barriers for stateless people in formal education settings and workplaces, which can make it difficult for them to gain broad recognition for their work. 4 Countering conflict-associated statelessness through self-registration In Syria, Myanmar and beyond, conflict is understood to be a major contributing factor to statelessness, especially where civil registries have collapsed or documents have been destroyed. In such cases, other states and organisations may look for proof of identify provided by autonomous administrations.109 Literature on rebel governance explores the central role of self-administration in state formation.110 An associated developing body of literature relevant to statelessness and citizenship studies considers legal identities within non-state administered territories and in conflict settings. 111 In situations of conflict, organisations on opposing sides sometimes vie for legitimacy and recognition of their statehood. One of the methods of establishing legitimacy is through the registration of populations within their territories and the issuance of identity documents. These 105 Mahmoud Darwish, ‘Identity Card’ [2016] (310/311: June/July) Third World Resurgence 56 <https://www.twn.my/title2/resurgence/2016/310-311/poetry1.htm>, archived at <perma.cc/2LXZ-M8X6>. 106 See James Byrne and Shehzar Doja, I am a Rohingya: Poetry from the Camps and Beyond (Arc 2019). 107 Ullah (n 47). 108 James Byrne, Shehzar Doja and Ronan Lee have supported poetry initiatives in the Rohingya camps of Bangladesh relating to identity, see Shafir Rahman, ‘Rohingya Photographer’, Rohinyga Photography Competition <https://rohingyaphoto.com/>, archived at <perma.cc/W2CW-2YYS>. See also Greg Constantine, who has supported Rohingya photography related to belonging: Ek Khaale (n 97). 109 Katharine Fortin, Bart Klem and Marika Sosnowski, ‘Legal Identity and Rebel Governance: A Comparative Perspective on Lived Consequence of Contested Sovereignty’ in Tendayi Bloom and Lindsey N Kingston (eds), Statelessness, Governance, and the Problem of Citizenship (Manchester University Press 2021) 125. 110 David Brenner and Martina Tazzioli, ‘Defending Society, Building the Nation: Rebel Governance as Competing Biopolitics’ (2022) 66(2) International Studies Quarterly 1. 111 Fortin, Klem and Sosnowski (n 109); Sosnowski and Klem (n 89) 761. 25

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