2019 Statelessness & Citizenship Review 1(2) colours and gold leaf, to keep the culture of his stateless population alive, whilst also portraying something that any European audience could relate to. 23 The assortment of colours, with stripes of water motifs symbolising journeys across oceans and a paper boat, framed with gold, show a journey that is not only marked by vulnerability but by hope and beauty. As citizens of the world, whether migrating or stationary, anyone can see their own story in this painting, to show experience is not marked by a bounded territory we ‘belong’ to, but is universal. Figure 6: Migration. 23 See fig 6. 322