2019 Statelessness & Citizenship Review 1(2) Figure 1: Al-Khalil/Hebron Road to Israeli Al Ja'abrah Prison. Figure 2: Kassel Grocery Shop. By adopting the theme of ‘home’ rather than statelessness, stateless art interlocutors then inscribe their existence into European social imaginary. Portraying Palestine in terms of ‘home’ establishes the existence of Palestine as a home in the observers’ perception, a nation not internationally recognised. Similarly, photographer Moussa Ag Assarid from Azawad, an unrecognised protostate in Mali, in his project ‘The Revolution is without Frontiers’ exhibits landscapes from Azawad draped in the Azawadian flag and signature of the National Movement for the Liberation of Azawad, which declared the 318